Soapy detergent suds and a setting sun, to the backing track of the Smashing Pumpkins.
I hope everyone has a dishwasher.
Here, at my place, unless I can convince the girls it is their turn, then I am it. The Dishwasher. Not Harvey Keitel The Cleaner. Nothing as cool as that for me.
So I have to improvise. Tonight, the motivation I sought to stick my hands into the soapy sud kingdom of the kitchen sink, came courtesy of the Smashing Pumpkins.
Tonight Tonight was the tune as it happens, courtesy of Spotify and a wifi speaker. Thanks too, to a glass or two extra of cheap red.
Years ago, as a teen, I developed one cheesy crush after another. All teens do it I guess and for me, there was a theme. Early on there was Deborah Harry. Quite apart from Blondie banging out disco infused New York punk with a French Canadian twist which thoroughly raptured me, (aficionados will know what I did there) Deborah Harry was a gorgeous, explosive blonde. Fiery and devastating, without quite being bombshell, which would have most likely not done it for me.
There was a dirty mystique to Deborah Harry of the late seventies and early eighties that as a young fella, I could not quite define and still can’t to this day. And, it didn’t stop there. Terri Nunn fronting Berlin, a dalliance with a young Madonna, never going to last, before a flirtation outside the norm with Belinda Carlisle and then Wendy James. Oh yes, Wendy James.
Of all of them, only Blondie really captured me and stayed with me. But, there had to be something, just a little thing, that meant more to me than just how this bevy of young songstresses looked.
Madonna had that thing, we all know it. Slutty I think it is called. For a young man, well not yet a man, from the southern most reaches of the world, there was no denying her impact. Sadly, for Madonna, her music didn’t do it for me and no matter how well presented the image, it wasn’t enough.
The same could be said for the Belinda Carlisle’s of this world. A husky sensuousness to her voice sure, an underplayed sexuality which went largely over my head.
Deborah Harry stayed there, the bench mark, seeing off flirtations with crops of newcomers, as an eighties pop explosion did detrimental harm to the world, damage we are still yet to recover from. But Debbie Gibson and Bananarama were never going to cut it for me. Babes to be sure, but where was the edge? Where was the challenge? Where was the musical integrity?
And then there was Wendy James. Maybe not the best vocalist. Maybe not the best songwriter or contributor of lyrics. Maybe she didn’t give the best interviews, maybe she didn’t have the greatest impression on me as a person, an individual, but the woman sure as hell made an impact on me. From my Dunedin-esque teenage perspective, here came a woman who was raw, true and honest and compelling and vital and real and so god damned sexy. Transvision Vamp were no Blondie, but bugger if they didn’t try hard to be, in their own way. I loved them for it.
Later, for a whole bunch of different, more mature, angsty reasons, was D’arcy Wretsky.
Siamese Dream was a piece of music, of art, which captured me.
I wasn’t alone. A seminal album, which managed to more than ‘say’ what a generation was feeling at a certain age, like Kurt Cobain did with Nirvana or the Smiths had done before them. Siamese Dream, Billy Corgan and co, made me feel.
I was a rugby playing, beach going lad. I was one of the boys, even if the guys and gals I hung with weren’t strictly the cool crowd. In reality, we were all cool, because we had each other and that was exactly the thing which made us cool. There was shared moments in time we were all experiencing, in our own ways, even while we were all doing it together.
At the time, early nineties, I was making a serious attempt to not take things seriously. In a way, I hope I still manage something close to that. I mean, I still rock. I let myself go, to the tunes that always did it for me, all the while seeking out the tracks which will do it all over again. My tastes have changed, my motivation has changed, my desires and wants and needs, everything is different yet somewhere and somehow, not a single thing is different.
My kids like ‘old man’ music. Every pop wonder hit they know is tempered by a Free Bird. Every cheesy one hit wonder of the day is countered by Rick Astley. Okay, maybe I am getting carried away. Did I mention the cheap red? Let’s try Heroes by Bowie instead
All that really matters, is while I have my hands softening under the effects of scented detergents, I am rocking out. I am in love with a bass player. I am in love with a grove, with a ‘feel’.
I am incredibly pleased to say I have not lost it. The ability to let go, knowing that no matter how ridiculous I look, how stupid and out of tune I sound, no matter the admonitions of my children, I can still rock like I just do not give a fuck.
D’arcy Wretsky arguably made a mess of her live, thanks to the wonders of opiates. I can’t say I am where I ever thought I would be, a big part of this being because I never really gave it, life, a great deal of thought. Thing is though, for a time, as fleeting as it may have seemed, D’arcy was my dream girl and she lived my dream. One of them anyway.
She had that moment, her fifteen minutes. Or maybe, a little slice of forever. I prefer to see it that way.
The joy is, I can still live those moments. Recapture those dreams, lost or not, with her. I can do it while I wash dishes, while I vacuum or hang out washing or sit here at a keyboard and make out like I have something worthy to offer. D’arcy offered and we accepted and she drove a wedge into me, placing her right next to Deborah Harry and Wendy James and just because I twirled a drumstick or two years ago, I feel I have been a little, tiny, insignificant part of it and damned if I am not going to rock the fuck out every now and then, just because I still can and still do.